The Bohemian Girl

• Original London Production (1843)
  London, England
• New York Production (1844)
  New York, NY
• New York Revival (1852)
  New York, NY
• New York Revival (1853)
  New York, NY
• New York Revival (1854)
  New York, NY
• New York Revival (1855)
  New York, NY
• New York Revival (1858)
  New York, NY
• New York Revival (1859)
  New York, NY
• New York Revival (1864)
  New York, NY
• New York Revival (1864)
  New York, NY
• New York Revival (1867)
  New York, NY
• New York Revival (1868)
  New York, NY
• New York Revival (1869)
  New York, NY
• New York Revival (1870)
  New York, NY
• New York Revival (1872)
  New York, NY
• New York Revival (1874)
  New York, NY
• New York Revival (1877)
  New York, NY
• New York Revival (1878)
  New York, NY
• New York Revival (1882)
  New York, NY
• New York Revival (1882)
  New York, NY
• New York Revival (1884)
  New York, NY
• New York Revival (1885)
  New York, NY
• New York Revival (1889)
  New York, NY
• Broadway Revival (1896)
  New York, NY
• Broadway Revival (1898)
  New York, NY
• Broadway Revival (1898)
  New York, NY
• Broadway Revival (1900)
  New York, NY
• Broadway Revival (1911)
  New York, NY
• Broadway Revival (1933)
  New York, NY

Based on Jules-Henri Vernoy de Saint-Georges' ballet-pantomime The Gypsy

• Alfred Bunn got the idea for his libretto from a ballet by Saint Georges called The Gipsy (which was produced at the Grand Opera in Paris in 1839). Saint Georges took his story from Novelas Exemplares by Cervantes.
• Titles that were given consideration: The Gipsy (although it was the title of a recently unsuccessful drama), Thaddeus of Warsaw (although Miss Porter's popular novel had a main character with that name it was concerned that the work may be viewed as an adaptation), La Bohemienne (ruled out because Bunn's peers objected to a French title to an English opera), and The Bohemian (ruled out because it might suggest a male hero).

• The Bohemian Girl, or, the Merry Zingara (full title)