Show Boat

• Original Broadway Production (1927)
  New York, NY
• London Production (1928)
  London, England
• Broadway Revival (1932)
  New York, NY
• Film Version (1936)
   
• London Revival (1943)
  London, England
• Broadway Revival (1946)
  New York, NY
• Return Engagement (1948)
  New York, NY
• Film Version (1951)
   
• Lincoln Center Revival (1966)
  New York, NY
• London Revival (1971)
  London, England
• Broadway Revival (1983)
  New York, NY
• London Revival (1990)
  London, England
• Broadway Revival (1994)
  New York, NY
• 1st National Tour (1995)
   
• London Production (1998)
  London, England
• London Revival (2006)
  London, England
• New York Philharmonic Concert (2014)
  New York, NY
• London Revival (2016)
  London, England

Click on the title for info on the song.

Original score

• Cotton Blossom
• Parade and Ballyhoo
  • aka Cap'n Andy's Ballyhoo [no note]
  • aka Captain Andy [no note]
  • aka Show Boat Ballyhoo [no note]
  • aka Show Boat Parade and Ballyhoo [no note]
• Where's the Mate for Me?
  • aka Who Cares If My Boat Goes Upstream? [no note]
• Only Make Believe
  • aka Make Believe [no note]
• Ol' Man River
  • aka Old Man River [no note]
• Can't Help Lovin' Dat Man
  • aka Can't Help Lovin' That Man [no note]
  • aka Can't Help Loving That Man of Mine [no note]
• Life on the Wicked Stage
  • aka Life Upon the Wicked Stage [no note]
• Till Good Luck Comes My Way
  • aka 'Till Good Luck Comes My Way [no note]
• Misery
• I Might Fall Back on You
• C'mon, Folks
  • aka Ballyhoo [no note]
  • aka Queenie's Ballyhoo [no note]
• You Are Love
• At the Fair
• Adagio Dance
  • aka The Streets of Cairo [no note]
• Dandies on Parade
  • aka The Sports of Gay Chicago [no note]
• Why Do I Love You?
• In Dahomey
• Bill
• Service and Scene Music, St. Agatha's Convent
  • aka Alma Redemptoris Mater [no note]
  • aka Nuns' Processional [no note]
  • aka Service and Scene Music ? St. Agatha's Convent [no note]
• Apache Dance
• Goodbye, My Lady Love
• After the Ball
• Hey, Feller
  • aka Hey Fella! [no note]
• Eccentric Dance
• Kim's Imitations
  • aka Imitation of her mother and stars of the 1920s [no note]
• Tap Dance

Cut After Pittsburgh

• Musical Scena
  • aka Pantry Scene [no note]

Cut After Washington, D. C.

• I Would Like to Play a Lover's Part
• Be Happy, Too
  • aka Cheer Up [no note]
• It's Getting Hotter in the North
  • aka No Mason-Dixon Line [no note]

Cut prior to opening

• Waterfront Saloon Scene
• Mis'ry's Comin' Aroun'
  • aka Mis'ry's Comin' Round [pre-Broadway program]
  • aka Misery Music [no note]
• Choral Waltz
• Specialty
• My Girl
• Coal Black Lady
• Bully Song
• Trocadero Ballet
  • aka Ballet [no note]
• Hello, My Baby
• I'm Just Wild About Harry
• Trocadero Opening Chorus
  • aka Let's Make the New Year [no note]
• Ta-Ra-Ra-Boom-der-e
• Harmonica Number
• Box Office Scene
• Yes, Ma'am
• A Pack of Cards
• The Creole Love Song
• Out There in an Orchard
• Rhapsody in Blue
• Party Song
• Show Boat Song
• How'd You Like to Spoon With Me?
• Me and My Boss
• All God's Children Got Wings
  • aka All God's Chillun Got Shoes [no note]
  • aka I Got Shoes [no note]
  • aka I Gotta Shoe [no note]
  • aka I've Got Shoes [no note]
• Negro Peanut Vender's Street Cry
• Dance 1927
• While Strolling Through the Park One Day
  • aka The Fountain in the Park [no note]
  • aka While Strolling Through the Park One Day [no note]
• Auld Lang Syne

Cut from 1929 film version

• Joshua Fit de Battle of Jericho
  • aka Joshua Fit the Battle of Jericho [no note]
• Carry Me Back to Old Virginia
  • aka Carry Me Back to Old Virginny [no note]

Added to 1929 film version

• The Lonesome Road
• Down South
• Love Sings a Song in My Heart
• Here Comes the Showboat
• Deep River
• Coon, Coon, Coon

Added to 1936 film version

• I Have the Room Above Her
• Gallivantin' Around
• Ah Still Suits Me
  • aka I Still Suits Me [no note]

Cut from 1936 film version

• Got My Eye on You

Status unknown

• Congress of Beauties
• Washington Post March

Added to later versions

• Dance Away the Night
• Nobody Else But Me

Recordings listed here were done in the studio specifically to release as recordings. They do not represent cast recordings of a particular production.

• Studio Cast (1945)
  Stuart Foster , Peggy Mann , Sy Oliver , The Sentamentalists , Tommy Dorsey
• Studio Cast (1949)
  Dorothy Kirsten , Robert Merrill
• Studio Cast (1949)
  Bing Crosby , Kenny Baker , Tony Martin , Frances Langford , Lee Wiley
• Studio Cast (1951)
  Patti Page , Sophie Tucker , Tony Martin , Tony Fontane , Louise Carlisle (ii)
• Studio Cast (1953)
  Carol Bruce , Helena Bliss , William C. Smith , John Tyers
• Studio Cast (1956)
  No cast listed yet.
• Studio Cast (1956)
  Robert Merrill , Patrice Munsel , Risë Stevens , Katherine Graves , Janet Pavek
• Studio Cast (1958)
  Howard Keel , Anne Jeffreys , Gogi Grant
• Studio Cast (1958)
  Doreen Hume , Bruce Trent , Mike Sammes Singers
• Studio Cast (1959)
  Shirley Bassey , Maryls Watters , Don McKay , Inia Te Wiata , Isabelle Lucas
• Studio Cast (1959)
  Barbara Leigh , Andy Cole , Bryan Johnson (i) , Maxine Daniels , Denis Quilley
• Studio Cast (1960)
  Audrey Marsh , Lee Venora , Richard Torigi
• Studio Cast (1960)
  Frank Chacksfield
• Compilation (1960)
  Thelma Carpenter , Robert Russell Bennett , Harry Sosnik
• Compilation (1960)
  Polly Bergen , Roy Hamilton , Shirley Jones , Earl Wrightson , Lois Hunt
• Studio Cast (1961)
  Martin Lawrence , Isabelle Lucas , Stella Moray , Donald Scott , Janet Waters
• Studio Cast (1962)
  John Raitt , Barbara Cook , William Warfield , Anita Darian , Fay DeWitt
• Studio Cast (1964)
  Richard Fredricks , Rosalind Elias , Anna Moffo , Mary Ellen Pracht , Valentine Pringle
• Studio Cast (1971)
  June Bronhill , Freddie Williams , Julie Dawn , Fred Lucas , Rita Williams
• Studio Cast (1988)
  Frederica von Stade , Jerry Hadley , Teresa Stratas , Bruce Hubbard , Karla Burns

Based on the novel by Edna Ferber.

An epic musical revealing life behind the scenes on a show boat. Magnolia falls in love with Gaylord, a river gambler, and leaves her father's show boat to marry him in the 1880s. Years of heartbreak return her to the show boat in the 1920s.

Without a doubt Show Boat is one of, if not the most, recorded American musical. Because the show has had multiple revisions, we have listed every bit of music we could find under it's respective 'Used in' section. We are of the belief that this is the most accurate and complete song list available. Please be aware that some numbers were not used in the original production, and that many were small fragments and very easily recognized by an audience member. Also, while scene titles are not something we are in a habit of listing, they are so recognizable we felt they should be included.

Dance Music

• Any number marked "Dance" was part of the original production even though it was not mentioned in the program. It was not until Helen Tamiris was brought in to emphasize the dancing for the 1946 Broadway revival that titles were given to them (these have been listed as alternate titles). Additionally, in 1946, the dance segment of "Life On the Wicked Stage" received fragments of "I Might Fall Back on You" and "While Strolling Through the Park".

"Bill"

• "Bill" has an unusual past. It is rumored to have been written in 1906. It's first appearance was in Oh, Lady! Lady!! with lyrics by P.G. Wodehouse, but was cut prior to opening. It was later recycled into Zip Goes a Million (aka Maid of Money) with brand new lyrics by B.G. DeSylva. After closing on the road, it was intended to be used in a planned musical called The Little Thing with the original Wodehouse lyrics.
• The basic song idea was then used for Sally, but was once again cut.
• When the song finally surfaced in Show Boat with Wodehouse's lyrics, Oscar Hammerstein II issued a statement in the program to this effect. However, as Miles Kreuger notes in his book on Show Boat, that when comparing the two pieces, there are some differences and Hammerstein is credited. Krueger says that Hammerstein kept Wodehouse's lyrics for the two versions and last eight bars of the refrains. He and Kern rewrote both music and lyrics for the first eight bars of both refrains.

"Kim's Imitations"

• This number was initially used as a specialty number for Norma Terris, the star, and replaced "It's Getting Hotter in the North". The number utilized Terris' imitations of the popular entertainers of the period, and reprises of "Why Do I Love You?" Dances were added to give Terris and opportunity to change her costumes. Most revivals use only the reprises for this number.

Songs cut prior to opening on Broadway

• The final version of "Musical Scena" has opening music, followed by dialogue with "Mis'ry's Comin' Aroun'" as an underscore and flows into "Can't Help Lovin' Dat Man". The cut version deviated after the opening by adding dialogue, followed with Magnolia delivering a long monologue in waltz time, a reprise of "Make Believe", the dialogue/underscoring and "Can't Help Lovin' Dat Man". The cut material was about five minutes long.
• "Waterfront Saloon Scene" is a longer version of "Till Good Luck Comes My Way". There was a gambling scene with underscoring, and part of the song was sung off stage. This led into the full song, and was about two minutes longer.
• "Be Happy, Too" was originally called "Cheer Up". This song actually did appear in the program during the Washington, D.C. tryout, but was replaced by "Why Do I Love You?" in performance. "Be Happy, Too" turned up in Cleveland programs, but was rewritten with new lyrics as "I Might Fall Back on You".
• While "My Girl" appeared in the programs in Washington, D.C. it was most likely not performed as lyrics have yet to be completed.
• Originally titled "No Mason-Dixon Line", "It's Getting Hotter in the North" contained an instrumental dance with fragments of "I'm Just Wild About Harry". This was later replaced by "Kim's Imitations" (with "Eccentric Dance" and "Tap Dance").

Unused Songs

• In an earlier draft, there was a scene involving a party at Kim's Manhattan apartment. "Rhapsody in Blue" (being played by a composer named George) ends as Kim enters. The chorus was then to sing a song typical of the ones used prior to a star making their entrance. Kim would then sing an old show-boat song, and a big dance would end the scene.

• Showboat (alternate title)