The Threepenny Opera

Staff

... Conductor

Samuel Matlovsky

Cast

... Polly Peachum	Jo Sullivan
... Mr. Peachum	Martin Wolfson
... Mrs. Peachum	Charlotte Rae (i)
... Lucy Brown	Beatrice Arthur
... Tiger Brown	George Tyne
... Streetsinger	Gerald Price
... Readymoney Matt	John Astin
... Crook-Finger Jack	Joseph Beruh
... Walt Dreary	Paul Dooley
... Charles Filch	William Duell
... Betty	Marcella Markham
... Molly	Marion Selee
... Sawtooth Bob	Bernard Bogin
... Second Constable	Miles Dickson
... Reverend Kimball	Donald Elson
... Dolly	Gerrianne Raphael
... First Constable	Stan Schneider
... Smith	Rome Smith
... Coaxer	Gloria Sokol
... Macheath	Scott Merrill
... Jenny	Lotte Lenya

Tracks

The CD issue of this recording gives no specific date for the recording session, but does list April 1954 as the month when the recording was made. This is contradicted by several contemporary news accounts from the last week of April 1954. These state that the recording will be made the following week, with an article in the paper then known as The Billboard being more specific than the others and stating that there will be three recording sessions starting on May 3.

According to The Billboard, the contract with M-G-M was not even signed till April 30, 1954.

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30,000 copies were sold in the first three months. In the next two years, another 150,000 copies were sold. It was MGM's best-selling LP until the soundtrack of Gigi surpassed it.

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Featured the original cast with Martin Wolfson as Mr. Peachum. At the time the recording was made, the original Mr. Peachum, Leon Lishner, had already left the cast. Jo Sullivan and Charlotte Rae had both also left the cast by the time the recording was made, but they are heard on the recording.

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MGM decided to make a cast album. But when MGM's CEO attended a performance, he submitted a list of musical numbers that would have to be deleted from the record and list of objectionable lyrics that would need to be changed. The lists were submitted at the recording session. Marc Blitzstein and Lotte Lenya were able to keep all of the musical numbers on the album (after much argument). But lyrics still needed to be censored and Blitzstein was forced to submit revised versions as the songs were being recorded. All "hell's" and "damn's" were removed, as were all references to whores, pimps, drunkenness and cat-houses.

Other rewrites included:

• The removal of Sloppy Sadie's knifewound and Little Susie's rape in Mack the Knife.
• The section in the second finale referring to "he steps on your face".
• Some of the imagery in the "Tango-Ballad" was watered down.
• The word "ass" in "Call from the Grave" had to be changed and the line became "Stand on your feet".