On the Twentieth Century

Original Broadway Production (1978)

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Musical Numbers Staging

Cast Highlights

Owen O'Malley
Oliver Webb
Conductor Flanagan
Letitia Primrose
Oscar Jaffee
Max Jacobs
Mildred Plotka / Lily Garland
Bruce Granit

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Musical Numbers

Act One

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  • Overture .... Orchestra
  • Stranded Again .... Bishop, Singers
  • On the Twentieth Century .... Porters, Passengers, Conductor Flanagan, Rogers, Letitia, Owen, Oliver
  • I Rise Again .... Oscar, Owen & Oliver
  • Indian Maiden's Lament .... Imelda & Mildred Plotka
  • Veronique .... Lily & Male Singers
  • I Have Written a Play .... Conductor Flanagan
  • Together .... Porters & Passengers, Oscar
  • Never .... Lily, Owen & Oliver
  • Our Private World .... Lily & Oscar
  • Repent .... Letitia
  • Mine .... Oscar & Bruce
  • I've Got It All .... Lily & Oscar
  • Reprise: On the Twentieth Century .... Company

Act Two

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  • Entr'acte (Life Is Like a Train) .... Porters
  • Five Zeros .... Owen, Oliver, Letitia, Oscar
  • Sextet .... Owen, Oliver, Oscar, Letitia, Lily, Bruce
  • She's a Nut .... Company
  • Max Jacobs .... Max
  • Babbette .... Lily
  • The Legacy .... Oscar
  • Lily, Oscar .... Lily & Oscar

Additional Musical Numbers Lists

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Trivia & History

Madeline Kahn left the show early in the run after having missed 10 performances in two months. She was replaced by her understudy, Judy Kaye. At the time, it was reported that the role was too vocally demanding for her to perform eight times a week, and that she had proposed having Judy Kaye play matinees. Judy Kaye took over full time on April 24, 1978. The notes in the booklet for the CD issue of the cast recording give that as the date of Madeline Kahn's last performance, but her last performance was on April 22.

Hal Prince stated in later interviews that she was having trouble commanding the energy to play physical comedy eight times a week, and his statements suggest that he and possibly the writers tried to persuade her to leave. At least a few critics, having attended critics' previews rather than opening night (when Prince says she was wonderful), did find her performance a bit lackluster, although most of her reviews were favorable.

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Posters & Promo Art



Main Run

Tryout Dates

Audio Recordings

Commercial Recordings

Private Recordings

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