Sweeney Todd: The Demon Barber of Fleet Street

London Concert (2000)

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Director

Cast Highlights

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Sweeney Todd
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Mrs. Lovett
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Anthony Hope
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Judge Turpin
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Johanna
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Tobias
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The Beggar Woman
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The Beadle
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Pirelli

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Musical Numbers


Act One

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  • Prelude .... Organ
  • The Ballad of Sweeney Todd .... Todd, Company
  • No Place Like London .... Anthony, Todd, Beggar Woman
  • The Barber and His Wife .... Todd
  • The Worst Pies in London .... Mrs. Lovett
  • Poor Thing .... Mrs. Lovett
  • My Friends .... Todd, Mrs. Lovett
  • Green Finch and Linnet Bird .... Johanna
  • Ah, Miss .... Anthony, Johanna, Beggar Woman
  • Johanna .... Anthony
  • Pirelli's Miracle Elixir .... Tobias, Crowd, Todd, Mrs. Lovett
  • The Contest .... Pirelli, Tobias
  • Johanna .... Judge
  • Wait .... Mrs. Lovett, Beggar Woman
  • Kiss Me (Part One) .... Johanna, Anthony
  • Ladies in Their Sensitivities .... Beadle
  • Kiss Me (Part Two) .... Johanna, Anthony, Beadle, Judge
  • Pretty Women .... Judge, Todd
  • Epiphany .... Todd, Mrs. Lovett
  • A Little Priest .... Todd, Mrs. Lovett

Act Two

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  • God, That's Good! .... Tobias, Mrs. Lovett, Todd, Company
  • Johanna .... Anthony, Todd, Johanna, Beggar Woman
  • By the Sea .... Mrs. Lovett, Todd
  • The Letter .... Quintet
  • Not While I'm Around .... Tobias, Mrs. Lovett
  • Parlor Songs .... Beadle, Mrs. Lovett, Tobias
  • City on Fire! .... Lunatics, Johanna
  • Searching .... Mrs. Lovett, Todd, Beggar Woman, Anthony, Johanna
  • The Judge's Return .... Todd, Judge
  • Final Scene .... Todd, Mrs. Lovett
  • The Ballad of Sweeney Todd .... Company

Additional Musical Numbers Lists

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Trivia & History

Two performances were given of this fully staged concert, a public preview scheduled for 4 p.m. and a performance at 8 p.m. As it turned out, the 4 p.m. performance didn't start till 4:30 since the morning of the concert was the only chance for the company to rehearse on the complex set. Therefore, a full-out run-through was scheduled for 11 a.m. It was necessary for the performers to give full vocal performances since sound levels needed to be set. The run-through went on so long that the first performance didn't start till 4:30. With a very full text used (including the organ prelude, the tooth-pulling, the Judge's "Johanna," and the full "Parlor Songs sequence) and no cuts to the book, it wasn't over till nearly 7:30. The evening performance started around 8:15.

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Posters & Promo Art


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Audio Recordings

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