National Tour (1972)

Credits See more credits


Cast Highlights

Sally Durant Plummer
Christine Crane
Stella Deems
Heidi Schiller
Hattie Walker
Solange LaFitte
Carlotta Campion
Phyllis Rogers Stone
Benjamin Stone
Buddy Plummer

See more

Musical Numbers

Main Program

Delete Song Section

Are you sure that you want to delete this section?

  • Beautiful Girls .... Roscoe and Company
  • Don't Look at Me .... Sally, Ben
  • Waiting for the Girls Upstairs .... Buddy, Ben, Phyllis, Sally, Young Buddy, Young Ben, Young Phyllis, Young Sally
  • Rain on the Roof .... The Whitmans
  • Ah, Paris! .... Solange
  • Broadway Baby .... Hattie
  • The Road You Didn't Take .... Ben
  • Bolero d'Amour .... Vincent and Vanessa
  • In Buddy's Eyes .... Sally
  • Who's That Woman? .... Stella and Company
  • I'm Still Here .... Carlotta
  • Too Many Mornings .... Ben, Sally
  • The Right Girl .... Buddy
  • One More Kiss .... Heidi, Young Heidi
  • Could I Leave You? .... Phyllis
  • The Folly of Love: Loveland .... The Ensemble
  • The Folly of Youth: You're Gonna Love Tomorrow .... Young Phyllis and Young Ben
  • The Folly of Youth: Love Will See Us Through .... Young Sally and Young Buddy
  • Buddy's Folly: The God-Why-Don't-You-Love-Me Blues .... Mr. Buddy Plummer (With the assistance of Miss Candace Cook and Miss Patricia Garland)
  • Sally's Folly: Losing My Mind .... Mrs. Sally Durant Plummer
  • Phyllis's Folly: The Story of Lucy and Jessie .... Mrs. Phyllis Rogers Stone (Danced by Mrs. Stone and The Dancing Ensemble)
  • Ben's Folly: Live, Laugh, Love .... Sung by Mr. Benjamin Stone (Danced by Mr. Stone and The Dancing Ensemble)

Additional Musical Numbers Lists

There are no additional song lists.

Trivia & History

This was to have been the start of a national tour. After a week's run at the MUNY in St. Louis as a sort of warmup, this was the first production at the just-built Shubert Theatre in Los Angeles. The run in Los Angeles was booked as an open-ended run, which turned out to be a mistake. 

At the time, theatregoing in Los Angeles was very heavily subscription-based. With no subscription audience, the production, which got very favorable reviews. was not able to sustain an initially strong box-office response for long. With no other engagements yet booked, the production closed down in Los Angeles.

Video Clips

No video clips yet.

Posters & Promo Art



Main Run

Audio Recordings

Private Recordings

See more

Video Recordings

No videos listed.

Copyright ©2017